Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
Tokyo 2020
E.R. Butler & Co. celebrates the spirit of the Tokyo Olympics by presenting a portion of its collection of Japanese door pulls (Japanese: Hikite).
On Display
Friday, July 23rd – Thursday, September 30, 2021
For More Information
E.R. Butler & Co.
55 Prince Street
New York, NY
(212) 925-3565
The Tokyo Summer Olympics, originally scheduled to take place from Thursday, July 23 – Sunday, August 9th, 2020 was instead, due to the Covid19 Pandemic, postponed for Friday, July 23 – Sunday, August 8, 2021.
E.R. Butler & Co. celebrates the spirit of the Tokyo Olympics by presenting a portion of its collection of Japanese door pulls (Japanese: Hikite). The pulls are typically installed on the sliding panels (Japanese: Fusuma) found in traditional Japanese architecture.
The original form of a Japanese sliding panel, as it first appeared in the 8th to 9th centuries, had no pulls: the frame was used to slide the panel open and closed. The first known architectural fitting applied to a sliding panel was in the 13th century, or Kamakura period (1192-1333). It was not until the Azuchi-Momoyama period (1568-1598), when the Japanese tea ceremony was established, that elaborate designs were given to sliding panels and pulls. Hikite became an important element of interior decoration, and this period produced many elaborately decorated pulls.
Although there are a few early examples of Japanese cloisonné enamels on small door fittings — used in the Phoenix Hall (1053) of the Byōdōin Temple (Kyoto), and by shōgun Ashikaga Yoshimasa (1436-1490) in his Higashiyama retreat (now the Ginkakuji temple in Eastern Kyoto)— it was not until the late sixteenth century that cloisonné enamels became more widely used in Japan, primarily on architectural fittings, hikite(sliding panel pulls), and kugi-kakushi(nail covers).
The majority of the hikite in the E.R. Butler & Co. archive are from the Edo period (1603-1868), many of them gilded bronze with decorative cloisonné enamel; earlier pieces from the Azuchi-Momoyama period (1568-1598) use an enameling technique known as champlevé. Later pieces of the collection date to the Meiji period (1868–1912).